Wond’rous Machine is a young, dynamic and unique period instrument orchestra based in London. Taken from Purcell’s great ode to the patron saint of music, Hail, Bright Cecilia, the group’s name, Wond’rous Machine, encapsulates the seventeenth and eighteenth-century awe surrounding the orchestra – a fantastical menagerie of diverse sounds.

Our ambition is to produce innovative historically-informed events rarely attempted today: reconstructions of original concert programmes and opera stagings, exploring the music’s connection with the other arts, and experimenting with performances in venues of the era, including music-halls, theatres, and public gardens.

Our core players are at the forefront of emerging talent in the UK historically informed performance community. We seek to address the challenges faced by young professional musicians by providing a platform of high-level performance experience. We are also committed to engaging with our audiences and sharing the rich and varied historical contexts of music through pre-performance talks, educational opportunities to include workshops and free concert access to local maintained schools.



Joel Sandelson

Joel Sandelson is a young conductor building a reputation for insightful work with both modern and historical instruments. He currently holds the post of Assistant Conductor of the BBC Scottish Symphony Orchestra and Leverhulme Fellow in Conducting at the Royal Conservatoire of Scotland, as well as directing Wond’rous Machine, a new London-based period instrument orchestra. He graduated from Cambridge University in 2016 with a triple-starred first in music, winning several prizes, and then studied conducting at the Royal Academy of Music, gaining a high distinction and the prestigious DipRAM prize.

In various settings he has conducted orchestras including Danish National Symphony Orchestra, BBC National Orchestra of Wales, Stavanger Symphony Orchestra, Scottish Opera, Orchestra of St John’s, Red Note Ensemble, Istante Ensemble and Salomon Orchestra. He won first prize in the Cambridge University Conducting Competition in 2014 and 2015, and was a quarter-finalist in the Malko Competition for Young Conductors in April 2018.

He has assisted conductors including Thomas Dausgaard, Sir Mark Elder, Edward Gardner, Trevor Pinnock, Yan Pascal Tortelier, John Wilson, Joseph Swensen and Richard Farnes. At the Academy he studied with Sian Edwards, and has also studied at Tanglewood as well as with conductors including Martyn Brabbins, Sir Roger Norrington, Mark Stringer and Colin Metters. He was conductor of the Barbican Chamber Orchestra 2013-17, and at Cambridge he was Conducting Scholar of the Cambridge University Music Society for two years, conducting concerts with the university’s flagship symphony orchestra at home and on tours in Europe.

As a cellist, he has performed extensively as a soloist and chamber musician, including several recitals at Wigmore Hall and concertos with orchestras in the UK and Europe. Other highlights include appearances at festivals in Europe, Israel and Canada; premieres of solo and chamber works by Lowell Liebermann, Sir Nicholas Jackson and Kamran Ince; a performance of Steve Reich’s cello music in the presence of the composer; chamber collaborations with the Endellion and Celan Quartets; and success in several national competitions, including reaching the strings final of BBC Young Musician. He remains active as a chamber and orchestral musician principally on historical cellos, recently performing with La Serenissima, members of the Orchestra of the Age of Enlightenment, and in the RAM Bach Cantata series.